Posts Tagged ‘point of departure’

BFA in Ceramics at The Maryland Institute College of Art

Monday, March 23rd, 2009

MICA’s Ceramics Department provides a highly individualized course of study within an atmosphere of strong community. It strives to foster the development of a student’s personal voice through engagement with the media as a point of departure towards experimentation and exploration. The ceramics curriculum supports the development of technical skills within a framework of innovation and interdisciplinary thinking. Students are involved with the traditions and contemporary trends in the ceramic medium and actively engaged in critical inquiry. Immersed in this rich intellectual environment, students understand themselves within the landscape of contemporary art and culture, and through the study and research of ceramics, they learn and explore its incredibly varied role in fine and applied arts, industry, and design. The development of confidence in one’s own ideas is stressed as the critical motive that drives the means and methods of making meaningful work. Students bring their strong personal convictions to class to learn from each other and the College’s resident and visiting artists.

Ceramics core requirements help build competence, moving from structured learning to increasing levels of independent research and self-direction. The Ceramics Department works closely with the other departments in sculptural studies and across the institution and encourages its majors to explore their work through a wide variety of media. Elective choices in sculptural studies, as well as the generous number of open studio electives in the major provide opportunities for interdisciplinary work and the healthy exchange of ideas among all areas of the College. Ceramics elective courses provide focused, thematic, or technical options, and experiences ranging from the traditional to industrial processes, from the archaic to the newest in technologies.

In the junior year, ceramics majors join with the majors of the other departments in the sculptural studies area – fiber and interdisciplinary sculpture – to take Junior Seminar. The curriculum culminates with a capstone experience that combines a critically written senior thesis and artist’s statement, professional development, and the creation of a thesis body of work. The year-long Senior Independent (ranging from 6 to 12 credits for the year) grows out of a student’s own research and direction and culminates with their participation with seniors from the sculptural studies area to participate in the College-wide Commencement Exhibition.

Internships are encouraged, with the most popular at Baltimore Clayworks. Advanced students are encouraged to participate in the ceramics world at large, including attending national ceramics conferences such as the National Council for Education in the Ceramic Arts.

The 6,000-square-foot ceramics facility consists of a spacious studio work area with separate senior studios. Adjoining the studio is a well-ventilated clay mixing and storage room and a glaze preparation and application area. Other specialty equipment includes two pneumatic extruders, a mold-drying cabinet, and an area for mold making and slip casting. The department’s kiln room features 12 electric kilns, including a glass-slumping kiln; several small test-fire kilns; six 7-cubic-foot kilns; a 17-cubic foot tall sculpture kiln; and a 21-cubicfoot large kiln. The department also has two Bailey gas kilns purchased in 2004, a 12-cubicfoot downdraft, and a 31-cubic-foot downdraft shuttle kiln. Raku firings are done in two 8-cubic-foot kilns in the department’s outdoor courtyard area. Wood firing opportunities are regularly scheduled at off-campus facilities. The department also maintains a research room that houses a reference library of images (digital and slides), books, magazines, computer facilities, equipment for photographing artwork, and a seminar area.

MA Design Studies Structure at Central Saint Martins College of Art & Design UK

Sunday, March 22nd, 2009

The course is structured to support you through a journey from the challenges of interdisciplinary and multicultural interaction in the seminars and open discussions of Unit 1 to the identification and realisation of your own MA research project in Unit 3. You will be exposed to questions which are designed to stretch and develop your ability to identify and solve beyond the comfort zone of tradition.

While the course promotes future thinking, it is concerned with supporting a wide variety of student research interests and typically enables students to define and research what is personally important to them. Artefacts act as an illustrated hypothesis and are constructed using your existing practical skills or those of others on the course or in your own working environment outside college, enabling those of you without a background in practical design to engage in, understand and use the creative process as part of research.

Unit 1
The point of departure, Unit One, ‘Feeding the Imagination’, emphasises collaborative and multidisciplinary learning and explores the relationship between locating sources of useful data* and applying the information to define and achieve a given end. The Unit is designed to broaden and deepen your understanding of the nature, practice and potential of research and provides you with research tools that will enable you to survive and maximise the discovery and reorientation potential of the journey.
During this Unit of the course you travel together in teams, working together to match, challenge and extend your individual and collective abilities to source, analyse and articulate a position.
The Unit begins with the distribution of a range of indicative reading and/or viewing materials, that relate to the theory and practice of management, marketing, branding, social, cultural and technical contexts and analytical technique, framed by specific or general questions. It concludes with the assessment of a team presentation based on the completion of a research task. This task requires you to locate and invite speakers to contribute to the Wednesday evening Visiting Speaker programme, facilitate a discussion and then prepare and lead a related session the following week offering an alternative or opposite view to your invited speaker’s presentation. This programme runs throughout the Unit, and underpins your learning, offering an opportunity for you to raise questions to inform your research.
* Data is used to mean information, often in the form of both facts and figures obtained from experiments or surveys, used as a basis for making calculations or drawing conclusions

Unit 2
Unit Two, ‘Applying the Imagination’, emphasises diagnostic and negotiated learning. It works in synergy with Unit One and has two priorities: applying your imagination and enabling you to discover more about your personal agendas. Through a series of short projects based on contemporary reality that enable you to develop external relationships with business/cultural groupings/professional organisations, the Unit encourages you to apply your research skills to identify and evolve a creative resolution to a business and /or social opportunity.

The projects develop three key themes:
mixing and contrasting cultural and professional differences

challenging conventional wisdom and practises in project management and presentation

extending your conceptual and theoretical landscape by presenting you with new things to think about and new ways of thinking about what youalready know.

You work collectively in teams to evolve a conceptual response to a scenario of your own choosing, informed by criteria revealed in the project brief, but verify your personal potential individually and in pairs. Your personal agendas are questioned and evolved, enabling you to step outside of your own experience and confirm your contemporary passions, priorities, skills set and portfolio strengths and weaknesses. Outcomes are considered at a one-day symposium, in which you have the opportunity to both make an oral presentation and be involved in open-debate.

Unit 3
The final stage of the journey, Unit Three: ‘Testing the Imagination’, emphasises independent learning and takes on the metaphor of a personal odyssey. It is concerned with facilitating, extending and evaluating your ability to manage and achieve a major independent project, based on your personal research interests and learning agenda. Having identified personal aspirations, motivations and methodologies, you draw a route map of the terrain you intend to investigate and potentially consolidate. You are given freedom to identify your choice of project against a set of criteria that stress the need for evidence of the clarification of motive, method and anticipated outcomes. You keep a diary that informs, charts and analyses this part of your journey, and which contributes to your assessment evidence and exhibition at the end of the Unit. While this final stage of the journey is about independent goals, the culture of the course is designed to be supportive with group and individual tutorials happening on a regular basis.

Mediatization of Society Audiodesign at Aarhus University Denmark

Monday, February 23rd, 2009

Mediatization of Society (spring 2009 - 10 ECTS)
Objectives of the course

To analyze main tendencies and agencies in the innovation and integration of digital media into Society.
Course contents

Main tendencies in the media developments since 2000.

The notion Mediatization is today often used to charcacterize the spread of media into all spheres of society in still more complex constellations. The course will take its point of departure in significant theories on mediatization (Winfried Schultz, Friedrich Krotz, Stig Hjarvard, Nick Couldry and Niels Ole Finnemann).

We will consider the media strategies of old media on the internet and the various media-menus of users, including the prdocution of usergenerated content , business models for for use of such content etc.

Main questions will concerne the impact of the lowering of the treshold to public media spaces. The seamless integration of media in everyday life. The relation old/new Media. The role of social network sites and the notions of prosumers, produsers, & cowriters.
Prerequisites

For students on the Master’s degree programmes in Media Studies and Information Technology line A and B.
Name of lecturer

Niels Ole Finnemann
Type of course / teaching methods

Participants presentations, lectures, project work which will be negotiated.

Dansk. Papers and Presentations in English are accepted.
Literature

Articles on Mediatization by above mentioned authors as well as The Internet in a media-historical perspektive.
Courseparameters
Language of instruction: Danish
Level of course: Master
Semester/quarter: Spring 2009
Hours per week: Instruction takes place on Mondays from 1 p.m. to 4 p.m. Rights to change the time reserved.
Capacity limits:
Academic regulations and assessment

7-point grading scale, (Set individual take-home assignment)
7-point grading scale, (Free individual take-home assignment)

7-point grading scale, (Set take-home assignment)
7-point grading scale, (Free take-home assignment)

7-point grading scale, (Set take-home assignment)
7-point grading scale, (Free take-home assignment)
passed/not passed, (Set take-home assignment)
7-point grading scale, (Set take-home assignment)
passed/not passed, (Free take-home assignment)
7-point grading scale, (Free take-home assignment)
passed/not passed, (Exercises)
7-point grading scale, (Exercises)

passed/not passed, (Set take-home assignment)
7-point grading scale, (Set take-home assignment)
passed/not passed, (Free take-home assignment)
7-point grading scale, (Free take-home assignment)
passed/not passed, (Oral examination)
7-point grading scale, (Oral examination)

passed/not passed, (Set take-home assignment)
7-point grading scale, (Set take-home assignment)
passed/not passed, (Free take-home assignment)
7-point grading scale, (Free take-home assignment)
passed/not passed, (Oral examination)
7-point grading scale, (Oral examination)
7-point grading scale, (Set individual take-home assignment)
7-point grading scale, (Free individual take-home assignment)
passed/not passed, (Individual take-home assignment)
7-point grading scale, (Individual take-home assignment)

passed/not passed, (Set take-home assignment)
7-point grading scale, (Set take-home assignment)
passed/not passed, (Free take-home assignment)
7-point grading scale, (Free take-home assignment)
passed/not passed, (Oral examination)
7-point grading scale, (Oral examination)
7-point grading scale, (Set individual take-home assignment)
7-point grading scale, (Free individual take-home assignment)
passed/not passed, (Individual take-home assignment)
7-point grading scale, (Individual take-home assignment)

7-point grading scale, (Free take-home assignment)
7-point grading scale, (Exercises)

The course can be included in the Master’s programmes in Media Studies (Elective Subject, Media Theory, Social Theory and Media Aesthetics, Media System Analysis and Strategic Communication), Information Technology line A and B (Elective Subject), Digital Design line A and B (Elective Subject) and Audio Design (Elective Subject).
Confer the academic regulations for further information.